The popularity of LED lighting has certainly taken ahold of our industry, and nearly every production now incorporates some form of LED-source products. Many wash lights are being replaced with LED fixtures, and now even LED ellipsoidals and automated spots are beginning to emerge from the major manufacturers. All these products generally operate very similarly to other automated luminaires, however there are important color differences that must be considered by an automated lighting programmer. Add a comment

This month, I am writing to all of you about a serious situation in our industry. Every production inevitably ends up suffering from this serious condition at some point in preproduction, or even after the show opens. It is time that we all work together as professionals to help reduce further occurrences of this terrible state of affairs. As I am sure most of you reading this are aware, all too often, cues and looks get programmed and never used. Add a comment

When I was in high school, like many of us, I was in the AV club and did lighting for all of the school shows. I guess that would have been my first exposure to convergence. The idea of using multiple disciplines of technology to create an onstage experience started back in 1988 for me. Even then, we were attempting to use slide projectors for some of the images in our shows (pretty high tech for a school in a town with only one traffic light).

I like to imagine a day in the not-too-distant future where I’m sitting in a rocking chair watching the world drift past my front porch with my grandson on my knee. I’ll tell him of my adventures in the theater, where I once cleaned up Jell-O molds for people with blue faces, and worked at dizzying heights with only a harness for protection. He’ll be baffled by the idea of the Blue Man Group surely, and by the time I have a grandson I expect jet pack technology will have surely come to fruition. Add a comment

LD Iain Reed Turns Sydney Icon into Interactive Artwork
Vivid is the winter festival of light, music and ideas, held around the harbor in Sydney, Australia; for 2013, it ran from May 24-June 10. Winter down under is surprisingly scheduled when it is summer in the USA. Vivid came about in the dying days of the previous state government, and was such a success that it has returned each year, bigger and brighter. It brings people to the city in the down season.

Over the last 20 years, advances in computer technology have benefited the entertainment industry. In particular, CAD programs have altered—for the better—how designers execute their ideas. But the benefits of digitizing workflows have changed more than just how we approach design. As a result, there’s never been a more exciting time for our industry. And as the growing availability of mature software tools continues to improve our design thinking, idea communication and the installation and execution of design concepts, we’ll continue to benefit by doing it more efficiently and accurately than ever before. When I reflect on this evolution, the journey has been remarkable. I’d like to share my own journey and how I arrived to this point in time today where we finally have at our fingertips the right tools for the job.

Lighting designer Howard Ungerleider felt a momentary rush of stardom — on the artist’s side of the velvet rope, you might say. It was the night before Rush was inducted into the Rock and Roll Hall of Fame in Los Angeles. Outside the band’s hotel, fans gathered in wait for Rush’s Geddy Lee, Neil Peart and Alex Lifeson. But those weren’t the names screamed when Ungerleider made it to the glass lobby doors. “Howard!” they shouted.

In my continuing pursuit of figuring out how lighting vendors build their inventory, I have come across three distinctive methods that a few different companies have utilized. A company may buy all their gear based on supply and demand. Or they buy certain pieces of gear and sub-rent the latest expensive fixtures on the market rather than risk they will be outdated. In the past, some companies actually built all their own lights, truss and dimmer racks. I thought that I summed it all up. But then I got to talking to some friends who work for Christie Lites. And it didn’t take long to figure out that there is one other way to build a business, and it seems to be working just fine. If you do it Huntly’s way.

Fall is one of my favorite times. Because that’s when all the lighting manufacturers showcase their latest products. For me, it’s a chance to see what the coolest new toys are out there. For lighting vendors, I think they may see it another way. Kind of like a Catch-22. They get to see what’s out there, but then they have to make some serious decisions on whether or not to open their wallets.  People like me don’t make it easy on them. Add a comment

Last month, I wrote about the benefits of working with some small lighting companies. But this article is dedicated to the shoddy lighting vendors out there. They will promise you the world and an abundance of fabulous gear. But as soon as you get to the gig, it doesn’t take long to realize some salesman/owner of a little company has bent you over a barrel. I’m like an elephant. I don’t forget these people. Add a comment