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Qatar National Convention Center Uses Martin Lighting

Qatar National Convention CenterDOHA, Qatar - The Qatar National Convention Center (QNCC) is one of the largest convention centers in the Middle East. London’s Light + Design Associates specified Martin Professional fixtures to help set the mood between the various facilities in the space. One highlighted area enhanced by Martin lighting is the VIP foyer, which features a visual centerpiece in the form of a 250-meter long, curved steel structure whose shape is inspired by the Qatari Sidra tree.
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DOHA, Qatar - Part of the Qatar Foundation's Education City campus, Qatar National Convention Center (QNCC), designed by Japanese architect Arata Isozaki and RHWL Architects of Berlin, is one of the largest convention centers in the Middle East. Located in Doha, it has a myriad of facilities - theatre, three auditoria, conference hall, 40,000m2 exhibition space, nine halls, and plethora of meeting rooms.

Although QNCC opened in December of 2011, Lee Prince, Director of lighting design consultancy firm Light + Design Associates of London, has been involved with lighting the multi-use facility since 2004. He says, “The brief was to create a dynamic, changing environment for the various activities that take place at QNCC such as conferences, conventions, music, lectures, banquet events, etc. We’ve done that by using dynamic gobo projection and color change to slowly change the atmosphere and set the mood.”

Prince specified Martin Professional MAC 575 pattern and color changing moving head fixtures and Alien color changing downlights for the venue’s entrance hall and VIP foyer. The VIP foyer area, a 280-meter long and 32-meter high space, features a visual centerpiece in the form of a 250-meter long, curved steel structure whose shape is inspired by the Qatari Sidra tree. The tree symbolizes the Qatar Foundation's three key pillars of education, science and research, and community development. Prince has given it a dynamic drape of color and pattern using 280 MAC 575 fixtures, which are mounted in the ceiling on truss hoists.  

“As it’s a large glass-fronted building and passers-by can see the two huge Sidra trees from the highway, the interior lighting scheme is also the exterior lighting scheme,” Prince says of the view from the Dukhan Highway through the glass façade that stretches the length of the building.

“We create different moods with light from the MAC 575 fixtures dappling through the Sidra trees and onto the floor and walls in a slow undulation that fills the space. After a lecture, for example, lighting changes to a warm evening sunset with reds and oranges then changes again with moonlight shades through the branches of the trees.”

Other lighting programs can be triggered including projection of Islamic patterns, i.e. tapestry on carpets, or an intense saturated red light complete with heartbeat sound effects, the heart of the building coming alive, if you will. Another lighting scheme involves a blue and white projection with stars that alludes to the birth of time.

“I chose the MAC 575 for its versatility and the quality of the lamp,” says Prince, who also points to the importance of the fixture’s compactness, as well as having various colors and gobos in one package.

The facility’s 2,300-seat, multi-level theatre has been securing dates for top theatre productions like Shakespeare's Richard III. Outside the lyric theatre is a  patchwork mosaic wall 32 meters tall with pinprick LEDs that look like stars. Here, Martin Alien color changers are used to cast even shades of color across the wall, saturated red for example punctuated with blue pinpoints of light. The effect is a visual treat.

The MAC 575 and Alien lighting fixtures were supplied for the QNCC project by Martin Professional Middle East, with whom Prince has been familiar since 2005. He says, “It was a good experience with Martin Middle East. They were useful on this project and supported us at several stages along the way, including assistance on the lighting control.”

“I’m extremely pleased with the results of the project,” Prince says. “The response from the client and patrons has been very positive.”

Photo: Lee Prince


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